The Song
This story takes place in September of 1865, nine months after Adam’s return
from the Civil War, which was chronicled in the story “The
Battle.”
The voices
were soft, but not so quiet that the two Cartwright brothers couldn't hear them
from the bottom of the hill. Joe jumped down from the buckboard seat and tied
the horses while Adam retrieved the smaller of the two packages he and their
other brother, Hoss, had earlier loaded carefully into the bed. The words grew
more distinct as they made their way up a long, rock-strewn path to the small
rickety building that served as a church for this small community.
“What they doin’ here?” someone hissed.
“Be polite,” another warned. “Them’s white folk.”
“That’s so, so why they here?”
“Hear tell the young ‘un was there when it happened.”
A soft, feminine voice, more sympathetic than the others, said, “Maybe he feels
bad ‘bout it.”
“He should,” came the hiss again. “It was his fault—”
“No, it wasn’t!” A little girl’s voice chimed in, clear and pure. “He didn’t
do nothin’ wrong.”
“Hush, chile,” said a woman, and she pulled the youngster back into the group of
about twenty Negroes who were gathered around the entrance to the church,
dressed in faded and shabby but painstakingly neat clothes.
Joe Cartwright’s face was flaming by now. He fiddled once with his string tie,
then resettled his freshly brushed green coat on his shoulders. It was a cool
September day, but the sharp mountain wind wasn't the only reason he felt
chilled. With his oldest brother by his side, though, he was able to keep his
steps regular. He figured he wasn't nearly as conspicuous as Adam anyway, who'd
chosen to wear his dress uniform. The Union blue was accented by sash and
sword, his Major's epaulettes a brilliant gold against this otherwise gray
Autumn day. He carried a large soft canvas bag in his hand, and though Joe had
asked what it contained, his brother had either ignored the question, or, more
likely, been so lost in thought he hadn't heard.
Ever since Tommy Coleman had died saving Joe from a bank robber's bullet, Adam
had been quiet and withdrawn, deep in a silence the family hadn't seen since
he'd returned fresh from the War in the East, just before Christmas last year.
Tommy, a tall Negro almost Hoss' size but of an age with Adam, had appeared in
town a few months ago. No one who knew Adam was particularly surprised that he
was friendly with the ex-slave, and in fact, all of his family talked with him
now and again, but it wasn’t long before Joe realized that Tommy had some
strange connection with his brother.
The oldest son of one of the most powerful men in Nevada, someone to be reckoned
with in his own right, and a poor black man just arrived from the East . . .
Everyone knew the Cartwrights were notional, making friends with the most
unexpected people, but even so, there was something different and, Joe could
sense, surprisingly deep between Adam and Tommy. Their mutual love of music and
singing didn't even account for it.
The late September sun appeared and disappeared behind the skidding gray clouds
as the two men approached the steps of the small church. Adam’s timing had been
exquisite. The service was over; they'd passed Reverend Johnson as he headed
back to town.
They stopped a few yards from the church steps when an old woman came out of the
church to stand straight and unbowed in the doorway. Joe knew who she was –
Tommy had introduced his mother to the Cartwrights one day when they happened to
meet on a Virginia City street. Her dark face was seamed with age and grief
beyond that of the last two days, but her eyes were clear, and her hair – as
gray as the bleak and wild sky above – was neatly tied back under a cotton
bonnet. She was a small woman, but held herself tall; when she spoke, the
whispers died away.
“Massa Joe,” she said, to the younger Cartwright’s intense embarrassment.
“Massa Adam.”
Adam nodded his head in acknowledgement, somehow conveying tremendous respect
for her in that simple motion. “Miss Lyddie,” he responded in deep, cultured
tones.
The wind sighed through the trees, the only sound until Little Joe spoke.
“We’re sorry if we’re intruding, ma’am,” he started. Their eyes were level with
each other, even though she stood at the top of two steps. “I had to come. I
owe it to him.”
Her eyes narrowed and she studied him carefully. Then she nodded once and
turned to Adam. “And you?”
“I have my reasons,” he said in his fine, quiet voice.
The hissing voice was heard again, “To protect his brother, most like.”
“Celie,” said the old woman. “Be quiet.”
The young woman, really still a girl, melted back into the group of men, women
and children gathered between the church door and the Cartwrights.
Lyddie Coleman turned back to Joe, curiosity warring with grief. “Why you think
you owe an ol’ black man?”
“Tommy was more than that, and you know it,” Joe shot back. He clamped his lips
together for a moment. “I’m sorry. You’re his mother, of course you know.”
“I’m glad to see that you know,” she replied.
He stretched up proudly. “My father taught me to judge a man’s worth by his
actions and his heart, not by the color of his skin.”
She nodded slowly. “I been tole that ‘bout the Cartwrights, and I been waitin’
to see if it’s proved true.”
Joe shot a sideways glance at his brother, but for once Adam didn’t have any
comment. In fact, he was even standing back a half pace, letting his little
brother handle the situation.
“I don’t know how I can do that, Miss Lyddie. And I don’t want to bring any
more grief to you folks today. I just want to make sure you understand what
happened. That your Tommy died,” he choked on the word, “a hero. If not to
those blind people in town, at least to me.”
A man from the back of the crowd stepped forward, his face stony. “He died
savin’ your hide. Mos’ white men would think that was only right.”
Joe winced. “Maybe so. But I guess I’m not one of them. Tommy made the choice
himself, and as sorry as I am I can’t undo it. I don’t understand why he took
that bullet for me, but he did, and nothing I can do will bring him back.”
“That’s the dam’ truth,” spat Celie. “An’ now we got one less good black man,
traded him for no good reason for another useless white one.”
Adam finally spoke. “Thomas didn't see it that way.”
She turned on him. “What you know 'bout it? And who give you the right to call
him by that name?”
Joe looked at his brother, whom he knew hated that snide and snippy tone of
voice. Invariably when someone spoke to him like that, they paid, one way or
another. But Adam was watching her, oddly enough, with a gentle smile.
“I know quite a bit about your Thomas, Celie. I know he loved you and wanted to
marry you.”
A low muttering rose from the group; Tommy had been old enough to be her
father.
The old woman raised an eyebrow, as fine a gesture as any aristocrat's. “That
true, gal?”
“An' what of it? You know we gotta grab for what little bits of happy we can
get. You’s been lucky, Miz Lyddie, to have your sons. You know I ain’t seen
any o’ my family since I was a baby. Tommy an’ me had somethin’ special.” She
stared at Joe, killing hatred gleaming from tear-drenched eyes. “But it ain't
gonna happen now.”
“I see. Well, that clears the air a mite, don't it?” Miss Lyddie turned back
to Adam, gathered Joe in with her eyes, then looked up at the heavens where the
clouds were roiling before the coming storm. “You boys best come on inside,”
she said to them, then disappeared again into the darkness.
The people stepped to each side, and the Cartwrights followed her into the small
building, the wary crowd entering one by one behind them.
It seemed only a few steps to the far end of the room, to the plain, simple
casket that lay in front of the rough pulpit, with its lid set off to one side.
Miss Lyddie had stopped at the head and now gazed down on the face of her dead
son. Joe swallowed once, but his step never faltered as he approached the body
of the man who'd saved his life.
Flashes of memory tore at him: His quick wink at the girl behind him in line at
the bank. Stepping aside at the door for three men to enter as he took a deep
breath, satisfied at completing his list of errands. Wondering which saloon to
hit before heading home, but delaying a moment to talk with Tommy, who wanted to
ask after Adam. Then the wild gunfire erupting from within the bank, the
screams, the sudden rush of men from the doorway, and the clear knowledge, as
two guns swung his way, that he was going to die and there was absolutely no way
to avoid it.
He’d thrown himself desperately to the side anyway, helped along by a sudden
blow to his ribs; then he was lying on the ground, Tommy pinning him to the
dirt, and people were rushing to them, trying to help him to his feet, asking
where he was hit . . . and then suddenly realizing the blood on his shirt wasn't
his, it was Tommy's, the ex-slave who'd thrown his body in front of him and was
even now dying in his place.
He knelt next to the black man and grabbed his hand, tears running down his face
as he asked, over and over, “Why? Why did you do it, Tommy?”
Then Adam was at his side, and relief flooded him. His brother would know what
to do. “We have to get him to the doc, Adam.”
But Adam shook his head.
“Adam—” Joe started to insist.
“It won’t help,” his brother said in a strained voice.
Joe’s heart sank. Adam had seen too many men die to be wrong.
“You right ‘bout that, Cap’n, suh,” whispered Tommy, to Joe’s confusion. His
brother had mustered out of the Union Army as a Major.
“You remember . . .?” Tommy asked.
Adam took his hand in a fierce grip and nodded. “I remember.”
Tommy raised his hand to Joe’s cheek, a rough-handed caress that surprised Joe
in its tenderness. “It be worth it, suh,” he said. “I’d say it’s a right fair
trade.”
Adam’s eyes were brimming as he gathered him into his arms. “Thank you,
Thomas.”
And the black man known as Tommy nodded once, then the satisfied smile grew to
sheer delight, and his eyes opened wide in wonder. “I can see it, Cap’n. I can
see it comin’. Tell—”
But Joe never found out what Adam was supposed to tell, because Tommy’s eyes
closed and then he was gone.
Joe had looked at the seamed dark face and had the sudden fancy that Tommy was
happy now, possibly happier than he’d ever been. He looked up now at the old
woman and spoke softly. “I don’t know why he knocked me down, I don’t know why
he took that bullet for me. I always liked him, and I hope he liked me, but
there was never anything that strong between us.”
“Yes, there was,” Adam said.
Joe jerked his head toward his brother, who was standing at the foot of the
casket.
“That why you here,” stated the old woman.
“Partially,” he answered. “You see, I knew Thomas, back in
Virginia.”
“No, you didn’t,” snapped Celie. “I was with him back then. He never said
nothin’ ‘bout knowin’ no white boy.”
He turned to her and spoke, again more gently than Joe felt she deserved. “No
one on those battlefields was a boy, white man or black.” He propped his
package up against one of the sawhorses that held the casket and walked down the
aisle to where she stood, the long, shining cavalry sword that hung from his
belt swaying slightly with each step. “He sent you out here, to
Virginia City,
to wait for him. Why here? How do you think he learned about it?”
He stood in front of her now, a tall powerful presence, but Celie didn’t back
down.
“I pondered it, but anything was better than where we were, so when the money
came, we took it and ran. I ‘magine he heard from somebody ‘bout the mines
needing workers.”
“That’s right. From me. I told him about Virginia City and the mines, the
ranches, the farms, the lake . . .” he gestured toward the mountains. “I told
him about my family and how I grew up here, told him stories about the Indians
and anything else I could think of. I talked until I was hoarse and then I
whispered the stories to him.”
The little church was crowded, but Joe didn’t hear a sound aside from his
brother’s haunted words.
“Why?” Celie wailed softly, the grief finally beginning to show through her
anger. “Why’d you spend time like that with my Tommy?”
“He was dying.”
“What?” she gasped.
Adam shook his head slowly. “I rarely saw braver men than those of his
regiment. They had no education, no real training, but they fought with a will
that could hardly be believed. I was in charge of a company that ended up –
like Thomas’s – in some hell-hole in the Virginia forests. We were camped next
to each other one night, and I heard him singing. I wandered over to see if I
could get him to teach me the song. He didn’t want to, didn’t think it was
seemly for a black man to be teaching a white, especially those songs . . .”
He closed his eyes and drew a deep breath.
Miss Lyddie spoke into the quiet. “But the music wouldn’t be denied.”
Their eyes locked in perfect understanding. “No. It wouldn’t. And in the days
that followed, he taught me that song, and it has haunted me ever since. He
taught me others, and I taught him some as well. Then we broke camp and headed
south. We engaged the enemy in a field full of wildflowers, though there were
none left by the time we were through. Thomas and his company were in the
forefront, taking the brunt of the fight, which allowed my men to circle around
and catch the enemy in our crossfire. I lost twenty men that day. Thomas’
company lost three hundred.”
He took Celie’s hand as if she were the finest lady in Virginia City, drew her
alongside to slowly escort her back to the casket. Joe stepped out of the way,
to let them stand beside the body.
“That afternoon, when the battle was over, I found him staggering among the
dying, giving them water, trying to stop bleeding from the stumps of arms and
legs that had been blown off by cannon shot, and singing, always singing,
bringing comfort to men who were screaming in pain. He was covered with blood,
though who could tell if it was his own or from the men he’d tended. He said he
was fine, and I believed him until he collapsed right in front of me.”
He still held Celie’s hand and gazed down at the remains of the man before him,
but Joe knew his brother well and knew that Adam wasn’t really with them. He
was back in an Eastern meadow, living through that hellish day, and as his story
unfolded, Joe began to realize that the friendship the two had shared came about
from something he might never really understand.
“I carried him to a surgeon I knew, got him to work on Thomas next. He’d been
shot in the leg and had shrapnel buried in his arm and side. He must have been
knocked flat by a shell explosion, because he also had a bloody bruise on his
temple. I sat with him until he woke up, and I talked to him to keep him with
us.”
“That’s not how I heard it.” Tommy’s brother stepped forward, a frown drawing
lines deeply in his face.
Miss Lyddie lifted her chin, and her eyes narrowed. “An’ just what did you
hear, Jimmy, and who tole you?”
“Tommy. Back in Virginia.”
“Tommy! When?” Celie demanded.
“When he come see me after he got better.” Jimmy nodded in Adam’s direction.
“He got that part right, anyways. Tommy was hurt bad, but it coulda been a lot
worse, if it wadn’t for this white man.”
“I didn’t do anything any other decent human being wouldn’t have done,” Adam
said.
“Mebbe so. All that means is they ain’t many decent folk in a war. I din’t
know it was you, suh – Tommy never tole me your name.” He turned to the crowd.
“Mistuh Cartwright, here, done made that doctor work on Tommy. Them doctors
din’t want no truck with no black man, soldier or no. Tommy remembered, an’ he
tole me how it was. He tole me, too, how this white man sat with him as many
days as he could ‘til his reg’ment left, talkin’ ‘bout this new land. An he
tole me how this man here sang night after night ‘til he near lost his voice,
keepin’ Tommy wantin’ to get his own strength back to sing the ole songs hisself.”
“That true?” asked the old woman.
Joe hardly dared to move as Adam raised his eyes to hers, but even as so many
pieces of his brother’s behavior were coming clear, more questions crowded his
mind.
“Yes,” Adam finally answered.
“But why did he say it was a fair trade?” Joe asked painfully. “I’m grateful,
of course I am, but to give his life for mine, even if he wanted to pay back
what you’d done for him . . . I saw him when he died. He was happy. He was
dying, and he was happy.” He looked almost wildly around the room at the dark
faces that somehow didn’t seem so closed against him any more. “I don’t
understand. Why did he think it was was worth it?”
Adam closed his eyes tightly against some inner pain, but it was Jimmy who
spoke, his voice kind and gentle. “Your brother tole Tommy ‘bout movin’ out
here. He tole him ‘bout this place where we could all be free, could be men and
women with our own lives, raise our chillun’s to grow straight an’ tall an’
proud in who they was.” He put an arm around the shoulders of the little girl
who had earlier defended Joe. “By helpin’ Tommy, your brother give us hope an’
a fresh start.”
Joe ran a hand over his face. His life spared, in payment for Adam giving
Tommy’s family a new life. The knot in his stomach eased a little.
Miss Lyddie looked at her son thoughtfully. “An’ is that where that money come
from, too? That money I’s allus afraid you stole somehow, that bought us food
an’ a wagon and got us out here?”
“Tha’s right,” the big man said.
“Tommy paid it back,” Adam added. “He wasn’t satisfied until his debt was
clear, though I never saw it that way. He gave far more to me than he ever
realized.”
Joe wondered what Adam meant, then saw his brother reach down for the canvas
sack that rested by his feet and pull out his guitar. After a single test
chord, he began to sing – a single note – a single word – that hung lightly in
the air, followed by a softly rising question:
If religion were a thing that money could buy
Then an answer:
The rich would live, and the poor would die . . .
Joe became aware of a soft accompaniment of voices, humming lightly under
his brother’s deep voice as he sang the long, prayerful phrases:
All my trials, Lord
Soon be over.
Suddenly the voices of everyone in the small room rang out in full harmony
Too late, my brother!
And dropped to soft gentleness as quickly
Too late, but never mind . . .
All my trials, Lord
Soon be over.
And as Joe listened to the song of tragic hope he began to understand
Tommy’s last few words. His chest tightened so he could hardly breathe, and
tears streamed down his face as he thought about a life that had been such
misery that death wasn’t just a release, but rather was something to be prayed
for.
Now, hush little baby, an’ don’ you cry
Your Daddy was born just to live an’ die . . .
The song reached into his heart and twisted, and as it reached its final
verse he realized he was seeing these people in a new way – he saw an inner
strength in them, even in bitter Celie, and he knew they’d make it; they’d build
the life that Tommy had wanted for them and, in his own way, had given his life
for them to have.
All my trials, Lord
Soon be over.
In the silence that followed the song, Jimmy and another man placed the lid
on the coffin, and Jimmy nailed it shut with swift, sure strokes. They stood at
the head, and two others moved to the foot, but then Miss Lyddie pressed her
gnarled old hand on the lid for a moment. She looked up at Adam, then Joe, and
after a long considering pause, she waved them to the sides of the coffin.
Adam handed his guitar to Celie and moved to take up one side, and Joe stepped
forward to help with the other. The six men, white and black together, slowly
carried Tommy Coleman out of the church and up the small hill to the deep hole
in the ground.
Using ropes, they lowered the coffin into the grave, then stood back as Miss
Lyddie took Celie’s hand and moved to the edge.
“Tommy’s gone on ahead to a better place,” she said, her voice strong and sure,
“but he made sure we’d have somethin’ here on earth until it’s time for each of
us to join him.”
She stepped back, and, along with the other men, Joe and Adam moved for the
shovels, but Celie shook her head and mutely held out the guitar.
Joe searched her face for anger, expected to hear her ask them to leave. The
wind whipped at her bonnet, sending the ribbons flying in a wild dance. It tore
at his hat as well, tried to rip it from his hand with a fury like he’d seen in
Celie’s eyes. But now, as he looked for the raging grief he’d seen earlier,
what he saw was a young woman who had lost everything, who’d never really had
anything, but who had allowed a song to enter her heart and ease her grief. He
saw . . . acceptance. And he wondered, suddenly, how often she’d had to bury
her hopes and dreams, and where she found the strength to go on.
“All right,” Adam said softly to her as he took the instrument. While he
slipped the strap around his shoulders, he turned briefly to Joe. “Bring the
wagon up here, would you? There’s something in the back.”
Joe nodded, and though his curiosity about the second package had nearly driven
him to fits earlier, he now felt only calm determination to see this through.
Tears welled when he recognized the song Adam was playing, Amazing Grace,
but he just swallowed hard and led the horses to the gravesite.
When the grave was filled and Adam finished playing, he set the instrument on
the seat of the wagon and moved around to the back. “Joe, Jimmy,” he called,
and both came forward to help him remove the massive, canvas-covered weight.
They carried it to the grave, and though Joe now knew what it was, the engraving
on the stone caught him unaware.
“I promised your son,” Adam said to Miss Lyddie, “that if he died before I did,
he’d have this marker. Like many of the black men who fought, slaves and
freedmen, it was the only recognition of his service that he wanted.”
The little girl ran up to touch the letters, breathing the words softly,
hesitantly to herself, and the old woman stood before her son’s grave, tears
finally breaking through the awful control.
The Cartwrights led their wagon away, and Joe knew he’d never forget the look on
her face when the child read out loud:
Thomas
Coleman
Died September 1865
Citizen
*****End*****
Our authors appreciate comments on their stories. If you would like to send comments on this story, click on the author’s name at the top of this page.